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FATHER’S PORTRAIT (3)
Posted by M.A.D. LIGAYA
(Last of Three Parts)
It was hard to believe what I was seeing. His expression kept changing. The emotions on his face shifted again and again. I knew what I was seeing. I wasn’t crazy. Maybe my eyes were just tired. Maybe my mind had been filled too much with the stories my aunts used to tell about this portrait. I even thought I saw him wink when he liked what I said.
Too bad my siblings weren’t there yet. The youngest would probably scream. She was always the frightened one.
If it was true that once the mourning period ended, the soul of the dead finally moved on, then I wanted to make the most of this night. Even if it was frightening, at least I could feel that he was with me.
“Pa, thanks for pushing me to teach overseas. I should have done it a long time ago.”
It was really my father who pushed me to pursue teaching abroad. I just laughed the idea off before because I insisted I did not need to do it. I had a wonderful career as an educator here, and the pay was not bad. I was satisfied. Until I felt job burnout and the need to slay some personal demons, which made me leave the country for a while.
It was supposed to be just for a year.
But when I saw what one year of teaching overseas did for me personally and professionally, I realized my father had been right.
The liquor and my longing for my father drowned whatever fear I had left.
I raised my glass again.
“Another toast, Papa. I can drink now. I can keep up with you. My liver’s strong these days.”
I stared at the portrait again. It felt as if he were staring back.
“Pa, I didn’t bring my wife. There’s a storm coming. Kuya and our youngest will arrive tomorrow. Hay naku, Pa… those two are still the same. Life is hard for them. They did not take their studies seriously, that’s why. I help them sometimes, but it can’t always be like that. They have to find their own way.”
I raised my glass once more, then paused and looked at his portrait again, as if waiting for him to respond.
“I asked Mama to come, just this once, but she refused. But you know what, Pa? Even if she won’t admit it, she still loves you very much. She’s just too proud. I’m sure she’s praying for you right now, asking the Lord to take you to Him and not to the Devil. Haha… just kidding, Pa. If the lifting of mourning weren’t being held here, she might have come. You know how she never got along with the aunts.”
For a while, I just sat there, looking at his face, as if he were really listening.
“That’s life. Nothing we can do. I love them all… but of course, I love Mama more. She’s my mother. And they understand that. They know that in front of me, no one is allowed to speak badly about her. We’d end up fighting. She’s not perfect… but no one gets to disrespect her in front of me.”
I took another drink and looked at the portrait.
“You understand that, don’t you, Pa?”
It seemed that my father’s head in the portrait slowly lowered.
I must have been drunk.
I was seeing things again.
“It’s really a shame you and Mama separated. Maybe if you were together that day… maybe you would’ve made it to the hospital. And Ate Lea… when you started getting sick, that’s when she left you alone.”
Unbelievable, but I think my father was nodding his head.
“Wait… wait… this is getting too sad. Change topic. Ah… okay… time for a photo. Let’s have a twofie pa.”
I took out my phone, stood beside the portrait, and kept pressing the camera.
For a moment, I felt something cold resting on my shoulder.
Either it was the wind…
or it was him.
“One more toast, Papa. This bottle’s almost empty. See? Because you laughed at me that time, I practiced drinking in Japan. Whisky now, Papa. You can be proud of me.”
I glanced at his glass.
It was empty.
I frowned.
Maybe I drank it myself. Maybe I knocked it over. But the table wasn’t wet.
I couldn’t remember anymore.
I filled it again.
“But Pa… why was it always like that? You and Mama were never together at my important moments. Elementary graduation — neither of you. High school and college — only you. Graduate school — neither of you. My wedding — Mama wasn’t there again. I’m not complaining… I’m just saying.”
I knew I was drunk now. I couldn’t stop talking.
“Papa… thank you. For everything you and Mama did. Especially for putting me through college. I wouldn’t be where I am now without you two. Not bad, huh? My English. I got that from you. Especially when I’m drunk.”
I stood up and took the portrait in my hands.
“You’re the greatest father on earth, Papa. The greatest.”
I kissed the picture and set it back on the table.
“Even if you and Mama separated… you’re still the best parents in the world for me. No one can match what you did for us. I love you both. So much.”
After that, everything blurred.
My head spun.
The last thing I remembered was looking at the portrait.
The frame was there.
But his face…
was gone.
Blank.
Impossible.
I must have been too drunk. My vision must have failed.
Then I heard something from the bathroom.
A rustling sound.
Like someone urinating.
I laughed weakly.
“So that’s where you went, Papa… to the bathroom… that’s why you disappeared from the picture.”
I tried to lift my glass again.
Too heavy.
My eyelids felt heavier.
I wanted to stand up and go to the bedroom, but my body wouldn’t move.
Everything slowly went dark.
Before I completely lost consciousness, I felt cold arms rest on my shoulders…
as if someone was trying to help me stand.
Or maybe…
I only imagined it.
**********
“Marco… Marco! Wake up!”
I opened my eyes.
The room was spinning.
“Marco! Get up! It’s almost noon!”
It was Aunt Cecille.
My head hurt, but I forced myself to sit up.
“Wake up. The people for the prayers will be here soon. We still have to fix the living room.”
“Yes, Auntie…”
She looked at me and shook her head.
“There you go. Hangover again. Just like your father. Both of you are intelligent, both handsome, both smooth talkers… and both drunkards.”
She walked into the kitchen. I followed.
“Auntie… who carried me to the bed? I remember falling asleep at the table.”
“How would I know? No one came here last night. It was raining. Boyet said he might come, but he got lazy because of the weather.”
I scratched my head.
Then I looked for the portrait.
“Auntie… where’s Papa’s picture? I left it here.”
“Good Lord. It’s right there. Hanging on the wall. You were so drunk you don’t remember what you did.”
I stared at it.
“I didn’t put that back there.”
“Oh sure. Maybe the picture walked by itself. Crawled up the wall and hung itself. STOP IT, MARCO. Don’t scare me.”
She lifted two empty bottles of Chivas.
“You finished two.”
“No… I only opened one…”
She just shook her head and went to the living room.
She looked up at the portrait.
“Kuya… even with your own son, you’re still playing tricks. Make the most of it. It’s your last day here on earth. But not with me anymore, ha. With Marco only. You’ve already used up all my fear.”
I just listened as my aunt said those.
“Wait… your smile… that’s different. You look happy today. You weren’t smiling like that yesterday. You did another miracle, didn’t you? Don’t change that smile anymore. Keep it like that. Later, you depart in peace, ha. Go up to heaven. With all the prayers we offered, you might even pass heaven. Say hello to Saint Peter for us.”
I suddenly remembered the photo on my phone.
I searched for that photo.
I looked closely.
It was true.
The smile on my father’s face in the portrait on the wall was different from the smile in the twofie that I took the previous night.
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FATHER’S PORTRAIT (2)
Posted by M.A.D. LIGAYA
(Second of Three Parts)
There were many other stories—things that sounded almost supernatural—connected to my father’s portrait. I brushed them all aside. I was used to hearing stories like that whenever someone had died, and the family had not yet formally ended the mourning period.
“I just got back, Pa. I won’t be returning to Japan until next month. I’ve missed you so much.”
That was what I usually did whenever I visited my father’s house. I would take his portrait down, hold it in my hands, and talk to him. I made sure no one else could hear me, or they might think I was losing my mind. My aunts probably knew I did it. I even kept the picture beside me while I slept and carried it into the kitchen whenever I ate. I only hung it back on the wall when I was about to leave.
“Your house is terribly dirty, Pa. Cleaning it wore me out. Now I’m hungry. Come on, let’s go to the kitchen. I’m going to boil some water. We’ll have coffee, and I’ll let you taste these super spicy noodles I brought home.”
My father’s expression in the portrait seemed to brighten after I said that. I shrugged it off, thinking that maybe I was only tired and hungry, and that was why it looked as if the face in the picture had changed.
It was also possible that my mind had been influenced by all the stories they kept telling about the portrait, so I imagined things even when nothing had really changed.
“You’re all show, Pa. You keep making your presence felt, but you don’t actually want to appear. Come on, let’s go to the kitchen.”
I set the portrait on the table and propped it upright against the wall, facing the chair I sat in.
“Now just relax there, Pa. I’ll do the cooking. You’re a bit unfair, you know. Back then, you were always the one who cooked whenever I came here. So what now? You won’t get to taste the longganisa I brought. Sorry about that. But I suppose you can still smell it.”
It was already dark, so I turned on the kitchen light. Outside, the rain and the wind grew stronger.
A sudden gust of wind rushed through the house. Something slammed hard, and the light went out. When I turned toward the table, I saw in the dim light that the portrait of my father that I had placed there was now lying facedown.
The bulb must have blown out.
I went to the living room. Luckily, there was a spare bulb in the toolbox my older brother had left behind. When I returned to the kitchen, I replaced the bulb. As soon as the light came back on, I froze.
The portrait of my father—which had fallen face down just moments ago—was standing upright again.
The chill that ran through me this time was much stronger.
It was unsettling to see the portrait standing there as if nothing had happened. I took a deep breath, the way I always did when I was flustered and couldn’t think straight. I looked to my left, then to my right. Even behind me.
No one was there.
Slowly, I forced myself to walk toward the portrait.
The smile on my father’s face had vanished. He seemed to be staring at me with a serious expression. Was he annoyed that I had challenged him to appear, and now that he was only making his presence known, I was already getting scared?
Suddenly, I remembered something my grandmother used to say — that until the mourning period had been formally ended, the soul of the dead lingered around the house and made its presence felt to the people they loved.
“Oh, come on, Papa. You’re scaring me. Keep that up, and I’ll go home. You’ll be left here all alone.”
I said it jokingly, just to ease the fear that was beginning to creep over me. For a moment, I even thought of calling someone to come over. I wanted to call my cousin Boyet and ask him to keep me company.
“You must really want coffee, huh? That’s why you’re frowning. All right, just wait a bit, Pa. I’m fixing things up now.”
The gas tank and stove my father used to cook with were no longer there, so I boiled water using the old clay stove instead. Luckily, there was still firewood stacked underneath, and the rain hadn’t soaked it.
I washed the glasses and plates that had probably been sitting in the rack for a long time. Everything in my father’s kitchen had grown old.
Every now and then, I glanced back at the portrait while I worked. I kept waiting for something to happen. Maybe one of my cousins was playing a prank on me. Some of them loved fooling around just as much as I did. One of them must have stood the portrait back up. I even thought it might be Boyet.
“Boyet!… Boyet!… Cousin, come out now. Join Papa and me here.”
I waited.
No one came.
I made coffee — one cup for me, one for my father.
“Here you go, Papa. Your coffee. Good thing there was still some coffee and sugar left in your cabinet. The noodles are cooking too. Oh, wait, Pa — I need to get something from inside.”
I hurried to my bag and came back to the kitchen.
“Here, Pa. This is my gift for you. Chivas Regal. I bought it at the Duty Free. Two bottles. One for each of us. It’s eighteen years old, Pa — not twelve — so no complaints. Hehe.”
I was no longer as nervous when I noticed that the smile seemed to return to my father’s lips in the portrait. Again, I told myself my eyes were just playing tricks on me.
“Did you like the coffee, Pa? Oops… there’s a leak here too. I’m embarrassed I still haven’t had your house repaired. I don’t want my older brother and his drinking buddies turning this place into their hangout.”
At once, my father’s expression changed again. His forehead seemed to wrinkle, and the smile disappeared the moment I mentioned my brother. Our father had always hated it whenever my brother came here just to drink with his friends.
There really was something strange about that portrait.
His brow looked genuinely furrowed. Maybe those lines had always been there, and I just never noticed them before.
A few minutes more passed, and I just felt my fear had begun to fade. I was almost getting used to whatever was unusual I noticed in my father’s portrait.
“Aha, you cannot scare me anymore, alligator.” I jokingly said while glancing at the portrait.
When the noodles were done, I fried the Spam I had brought.
“Let’s eat first, Pa, before we start drinking. We’ve got a long conversation ahead of us tonight.”
“Marco… Marco… Is that you in there?… Marco.”
“Yes, Auntie. I’m here in the kitchen.”
It was Aunt Cecille.
She came in, and I took her hand, kissed it, then kissed her on the cheek.
“I thought it was your older brother again.”
My aunt wrapped her arms around my shoulders.
“Well, look at this — Chivas Regal, and two bottles at that. What about us?”
“Of course, I brought something for you too, Auntie — red wine. It’s inside.”
“But who were you talking to? I could hear you talking to someone.”
“There he is behind you, Auntie. Say hello to Papa.”
“Hah!”
She turned toward the table, then suddenly straightened up.
“Jesus, Mary, and Joseph! You startled me. You know how easily frightened I am. Now I won’t be able to go home by myself. You’ll have to walk me back.”
“Really?” I laughed.
“Go on, laugh.”
“There, have Papa escort you.”
“Oh, Marco, now you’re scaring me even more. I might not be able to sleep well. Just make sure you walk me home.”
I was still laughing. When I glanced at my father’s portrait, it looked as though he was smiling too.
“So you can also take the ginataang tulingan I cooked for you.”
“Wow! All right then, Auntie, I’ll walk you home. By the way, could you get the gifts I brought for all of you? They’re in the bedroom, inside the red plastic bag. Just divide them among yourselves. Are Aunt Claire and Aunt Carol there too?”
“Yes. They’ve been waiting for you for quite a while.”
Aunt Cecille went inside to get the gifts. I placed some of the cooked noodles into a bowl.
“You brought us a lot, Marco. Thank you.”
“Here, Auntie, try some of these Japanese noodles too.”
“Oh no, I can’t handle anything that spicy. Your aunt may be greedy when it comes to food, but not that greedy.”
“Auntie, I read your message earlier. Why don’t you want us to prepare something for tomorrow’s “babaang luksa”? I have a budget for it.”
“No need. Pancit palabok and bread will be enough. Let’s be practical. Besides, it’s rainy, people are busy, and no one wants to cook. There might not even be many visitors tomorrow with the storm coming. The food will only go to waste.”
“All right then. Just tell everyone that after the prayers tomorrow, we’ll have lunch at your favorite restaurant before I leave.”
“That’s exactly what we were hoping you’d say. Hehe.”
“Come on, Auntie, I’ll walk you home first. Papa, just wait for me, all right?”
“Oh, all right. Sorry for interrupting your father-and-son bonding. Hehe. Bye, Kuya.”
I noticed that Aunt Cecille didn’t look at my father’s portrait, which my father probably didn’t like, because in the picture, he seemed to be frowning again.
When I came back, I brought the ginataang tulingan my aunt had cooked, along with some rice.
“There we go — noodles, rice, ginataang tulingan… and Spam too.”
I poured Chivas into two glasses.
“This is for you, Papa… and this one’s for me. Cheers.”
After finishing my first shot, I took a bite of the ginataang tulingan and some rice. It tasted wonderful. It had been almost a year since I last ate that kind of fish.
I picked up a slice of the Spam I had fried.
“Here, Pa. You always told me to bring you Spam whenever I came home.”
I let myself pretend that my father was alive, sitting there with me, happy that I had come. He used to be like that whenever I visited him — lively, talkative, full of jokes. I placed a small saucer with tulingan and Spam beside his portrait.
Only then did I realize that tears were already welling from my eyes.
“You see, Pa? I’m still a crybaby, even now. It’s your fault. You left us too soon. All right… another shot. Finish yours, too.”
After more than an hour, half the bottle was gone.
“Papa, do you remember the time you visited us? I couldn’t find San Mig Light, so I only bought Red Horse. Four bottles. One for me, three for you. Damn… you laughed so hard at me that night. I hadn’t even finished one bottle when I ended up vomiting and shitting my guts out. After that, I never touched Red Horse again. That thing kicks like a horse.”
I looked at my father’s portrait.
I could see the happiness on his face — or at least it seemed that way — as I drank. As we drank. He looked as though he was smiling, almost teasing me, every time I spoke, every time tears slipped from my eyes.
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THOSE WHO LOOK BACK
Posted by M.A.D. LIGAYA
(A SHORT NOVEL – HORROR)
This is my newest book, fiction-horror. This is based on my short Filipino novel “Lingon.”
When Eve disappears on Miedo Island, Tomas will stop at nothing to bring her home. With him are Daniel, torn between fear and loyalty; Willy, harboring an unspoken love for Eve; and Jasmine, determined to find her own missing brother, Adam.
But Miedo Island is unlike any place they have known. It is inhabited by the Whistlers—demons under Berith’s command, and his growing obsession with Eve threatens to unleash a horror too vicious to contain.
Their arrival on Miedo becomes a test of faith, drawing them into a nightmare where trust becomes a risk and love becomes a wound.
On this island, fear is no mere feeling—
it is the predator that hides within the living.
And on Miedo Island, fear is awake…
and it has already chosen its prey.
**********
THOSE WHO LOOK BACK: Gemini’s Review
I asked Gemini this question:
If you were a publisher, would you accept this story for publication?
The following is Gemini’s exact response…
As a publisher, I would likely accept “Those Who Look Back” for publication.
The story demonstrates strong commercial viability and engaging narrative elements that would appeal to the target audience for supernatural horror and dark fantasy.
Here is a breakdown of the key strengths from a publishing perspective:
1. Strong Genre and Marketability
Appealing Genre: The story is a high-stakes supernatural horror/thriller, a consistently popular and marketable genre. It immediately establishes a sense of dread and mystery with the quest to Miedo Island, a place where “not one has come back” for centuries.
Unique Antagonist Concept: The demonic entities, referred to as “Whistlers,” are more compelling than typical monsters. They are described as being able to see a person’s past and use that knowledge to torment and mock their victims by mimicking the voices of loved ones. This psychological element adds depth to the horror.
Unique Theme/Tone: The opening quotes the author on the theme: “Fear is the predator that lives inside us”. This promises a narrative that blends external monster encounters with internal, psychological horror, which appeals to sophisticated horror readers.
2. Compelling Plot and Pacing
High-Stakes Premise: The core conflict—searching for a missing sister (Eve) on a demonic island —is an immediate, powerful hook that drives the plot forward.
Rising Tension: The tension is effectively built in the opening chapter, moving from the protagonists’ initial frustration and impatience to receiving ominous warnings from the locals (Fidel, Marco) , and finally, to the arrival of the mysterious ferryman, Kharon.
Action and Exposition Balance: The story balances character dialogue and exposition (e.g., Daniel’s skepticism and the discussion of Miedo Island’s history ) with escalating action and shocking discoveries (finding human remains, fighting the creatures).
3. Character Depth and Conflict
Relatable Protagonist: The narrator, Willy, is sympathetic due to his compelling internal conflict—his unrequited love for Eve is what primarily drives him, even more than simple loyalty to his friend, Tomas. This adds a layer of emotional complexity to the rescue mission.
Strong Ensemble: The cast of friends (Willy, Tomas, Daniel) provides contrast, with their camaraderie and distinctive personalities (Willy the quiet, internally conflicted one; Tomas the determined leader; Daniel the skeptical comic relief) enhancing the narrative. The addition of Jasmine as a knowledgeable but conflicted outsider further enriches the group dynamic.
4. Commercial Hook for a Series
Open Ending: The conclusion is highly effective for commercial publishing, as it offers closure on the immediate action while setting up a sequel. The revelation that the demon Berith is alive and wearing Jeff’s flesh, coupled with the narrator’s vow to find Eve, provides a clear, high-stakes trajectory for the next book. The small detail of the cross at the narrator’s neck stirring with warmth suggests a personal power or spiritual arc that can be developed further.
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Posted in Fiction, Horror, Horror Stories, Mystery, Short Novel, Suspense Thrillers
Tags: Fiction, Horror, Horror Stories, Mystery, Short Novel, Suspense Thriller





